Guatemala’s top presidential contenders face expulsion from race

Guatemala City – Guatemala‘s elections are just two and a half months away, but whether the leading presidential contenders will end up on the ballot, disqualified, or even behind bars is still up in the air.

“There is so much uncertainty,” Iduvina Hernandez Batres, the director of the Association for the Study and Promotion of Security in Democracy, told Al Jazeera.

“Two weeks after the campaign began, at this stage there is no clarity as to who overall will be candidates for the presidency,” she said.

The official campaign period for the June 16 general elections kicked off on March 18. Of the 27 political parties in the Central American nation, 24 declared presidential candidates. An August 11 presidential runoff is expected. 

The three individuals expected to lead the presidential race are the runner-up from the previous election, a former attorney general, and the daughter of an ex-dictator who stood trial for genocide. But all three are mired in controversy and legal battles that could exclude them from the ballot.

On Monday, the electoral tribunal ruled to annul the registration of former Attorney General and Semilla party presidential hopeful Thelma Aldana as a candidate, upholding challenges by political rivals. The major setback comes on the heels of a warrant for Aldana’s arrest.

“We now understand how powerful the weight of a whole system can be when it colludes to block someone’s participation,” Semilla party deputy secretary Ligia Hernandez Gomez told Al Jazeera.

“There is a clear intent by political parties to prevent participation,” she said.

‘Nearly everyone is trying to stop Aldana from running’

During her 2014-2018 tenure as attorney general, Aldana played a pivotal role in the prosecution of high-level government officials for corruption. In 2015, then-President Otto Perez Molina was forced to resign and was arrested, as were the vice president and the heads of several government ministries.

Working closely with the International Commission Against Impunity in Guatemala (CICIG), Aldana’s office began investigating current President Jimmy Morales, his relatives and the ruling party. They deny all wrongdoings. 

Semilla has its roots in mass protests against political corruption that precipitated the fall of the Perez Molina administration. Focused on building more participatory and inclusive democracy, the Semilla party is generally centre-left, but its clear position against corruption draws a broader spectrum of supporters. Aldana identifies herself as right-wing.

On March 17, the electoral tribunal registered Aldana as Semilla’s presidential candidate. A judge had issued a warrant for her arrest the day before.

Aldana was in El Salvador at the time and has not yet returned. She is accused of embezzlement and falsification of information on public documents in connection with a contract for training services that were allegedly never rendered.

By law, from the moment candidates are registered they have immunity from prosecution and arrest that can only be stripped through special proceedings. But despite Aldana’s initial registration, officials stated that immunity would only come after legal challenges were resolved and that the warrant remained in effect.

The electoral tribunal annulled Aldana’s candidacy on Monday, determining that a required document from the comptroller’s office was no longer valid. The Semilla party’s plan to appeal the ruling is well under way.

“We had foreseen that this could happen,” said Hernandez Gomez. “We have all faced so much pressure, both the institutions in charge of resolving the issue and us as party members.”

Leopoldo Garcia, an electoral tribunal official, came forward publicly on March 20 and told reporters he had been under intense pressure to not register Semilla as a party or Aldana as a candidate. Last week, he held a press conference to denounce subsequent threats to himself and his family from far-right groups and said he would request precautionary measures from the Inter-American Commission on Human Rights.

“We have nearly everyone trying to stop the participation of Thelma Aldana,” said Hernandez Batres.

Semilla now has five days to file a motion with the Supreme Court for a review and reversal of the electoral tribunal’s decision. Should that fail, the only remaining option will be an appeal to the Constitutional Court.

Other candidates facing eligibility challenges

Aldana’s is not the only candidacy embroiled in court proceedings. The eligibility of Zury Rios, the right-wing Valor party’s presidential candidate, will soon be the subject of a final Constitutional Court ruling.

Rios is the daughter of Efrain Rios Montt, a former military ruler who was convicted of genocide in 2013 but then died last year before his partial retrial concluded. More than 80 percent of the estimated 200,000 people killed during a 36-year civil war between the army and leftists rebels were indigenous Maya.

Rios Montt took office in 1982 in a military coup. The Guatemalan constitution prohibits anyone who took power by force from running for president, but the constitutional ban also extends to relatives up to the fourth degree of consanguinity.

Despite the ban, Rios was registered as a candidate and her eligibility has been in dispute, with the Supreme Court ruling she can run and the Constitutional Court ruling she cannot. There is only one ruling left and the Constitutional Court has the final say, but there is no guarantee Rios will respect it. 

Zury Rios was registered as a candidate and her eligibility has been in dispute, with the Supreme Court ruling she can run and the Constitutional Court ruling she cannot [File: Luis Echeverria/Reuters] 

“What we will probably see is the Constitutional Court rule definitively in favour of the motion of the election tribunal to prohibit her from participating, and she will probably end up defying the resolution of the Constitutional Court, engendering an element of chaos,” said Hernandez Batres.

The candidacy of Sandra Torres, the candidate of National Unity of Hope (UNE) party expected to lead the race for president, is currently not the subject of a legal battle but she may end up in court anyway.

Torres first attempted to run for president in 2011 at the end of her husband Alvaro Colom’s term in office. Despite their divorce to circumvent a constitutional ban on a sitting president’s relatives from running for office, the Constitutional Court nixed her candidacy. In 2015, she ran but lost to Morales in the second-round runoff vote.

The UNE was founded as a social-democratic party, but as investigations into government corruption broadened, it has recently occasionally aligned itself with the ruling party and others in Congress. The alliance has been popularly dubbed the “Pact of the Corrupt”, accused of conspiring to mutually safeguard immunity from prosecution.

Torres and the UNE now face the same scandal Morales and the ruling FCN party have – alleged illegal campaign financing in 2015. Charges were filed shortly after Torres was registered as a candidate, which granted her immunity from prosecution, and the Supreme Court upheld that immunity.

Sandra Torres first attempted to run for president in 2011 [File: Josue Decavele/Reuters]

Last week, however, Guatemalan newspaper Prensa Libre leaked an audio recording in which Torres appears to be discussing several million dollars in unreported campaign financing. Prosecutors have since filed a motion with the Constitutional Court in another attempt to strip Torres of her immunity from prosecution. The UNE responded by accusing prosecutors of leaking the audio.

Atypical process

In the end, the fates of all three top presidential contenders could be determined by the country’s highest court. But two weeks into the campaign, uncertainty persists. 

Many aspects of the current election process are atypical, said Hernandez Batres. The campaign period is extra short. The top presidential contenders are women. They all face court proceedings that could take them out of the running. There is a new election law with more restrictions on campaign financing.

Even the very first act was unusual, Hernandez Batres added. Ever since the transition from military rule to elections in 1985, the official call for elections is a solemn act, with the heads of all three branches of government in attendance in a show of support for the electoral tribunal and process, she told Al Jazeera.

“This year, for the first time, the electoral tribunal was alone. The executive branch president did not show up, nor did the president of the legislative branch or that of the judicial branch. The Constitutional Court was not there. The heads of the main political parties were not there,” she said.

“It is as though they are preparing to claim fraud if the results are not in their favour,” said Hernandez Batres.

Jorge Santos, the director of UDEFEGUA, a national human rights organisation, is also concerned that a stage is being set to control the process and results. Santos views the massive uncertainty as to who will be able to participate as candidates this late in the game as telling.

“It calls into question the legitimacy of a process that from the beginning has been plagued by vicissitudes,” he said. 

President Morales and some candidates have made public remarks questioning the role, capacity and legitimacy of the electoral tribunal and the courts that play key roles in determining election candidates and results, Santos noted.

“It would appear that there is an explicit intention by the Pact of the Corrupt not to permit an election scenario in which they will not win,” he said.

Attention remains largely focused on the presidential race and the legal battles of the frontrunners, but at the local level, municipal race candidates are being killed. Political violence has marked past election periods and online hate speech, attacks and other incidents all indicate this year will be no different, said Santos.

Two mayoral candidates from the Fuerza party were murdered in February, and a local candidate from the People’s Liberation Movement party was murdered last month.

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AAF Reportedly Set to Suspend Operations; League ‘Heading’ Toward Folding

The logo on a football prior to an AAF football game between the Atlanta Legends and the San Diego Fleet, Sunday, Feb. 17, 2019, at SDCCU Stadium in San Diego, Calif. (Peter Joneleit via AP Photo)

Peter B Joneleit/Associated Press

Eight weeks into its inaugural season, the Alliance of American Football may have already played its final game. 

The AAF sent an email to employees on Tuesday outlining the decision, which states the league’s operations will be suspended immediately, via NFL Network’s

“Over the last year, we have been able to realize some amazing accomplishments. We launched a football league, a ground breaking sports technology and APP, and established production and broadcast arrangements to air our content on major networks. Together we created some incredible moments for football and our fans. We are very proud of what we accomplished and appreciate the contributions each of you made during that process. 

“Unfortunately, after careful consideration, the board has decided to suspend operations of the Alliance of American Football, effective immediately. As part of this process, we expect to keep a small staff on hand to seek new investment capital and restructure our business. Should those efforts prove successful, we look forward to working with many of you on season two. As a follow up to this communication, we will reach out to the personnel who will be involved in that continuation effort.

“For those employees whom we do not contact individually to discuss an ongoing role or alternative arrangements, your employment termination date is effective Wednesday, April 3, 2019, and you will be paid through this date. We are extraordinarily appreciative for all of your efforts. … Thank you again for your service.”

Mike Florio of Pro Football Talk and Darren Rovell of The Action Network first reported the news. Rovell noted that AAF owner Tom Dundon stands to lose $70 million and made the decision to suspend operations “against wishes of league co-founders Charlie Ebersol and Bill Polian.”

Polian issued a statement about Dundon’s decision, via ESPN.com’s Michael Rothstein:

“I am extremely disappointed to learn Tom Dundon has decided to suspend all football operations of the Alliance of American Football. When Mr. Dundon took over, it was the belief of my co-founder, Charlie Ebersol, and myself that we would finish the season, pay our creditors, and make the necessary adjustments to move forward in a manner that made economic sense for all.

“The momentum generated by our players, coaches and football staff had us well positioned for future success. Regrettably, we will not have that opportunity.”

The AAF has been in financial trouble basically since the season started on Feb. 9. 

David Glenn of The Athletic reported on Feb. 18 that Dundon, who owns the NHL’s Carolina Hurricanes, was named the AAF’s new chairman after making a $250 million investment to help the league get its finances in order. 

Dundon told reporters last week the NFL Players Association could help the league by allowing its players, notably those on practice squads, to play in the AAF. 

“If the players union is not going to give us young players, we can’t be a development league,” Dundon said. “We are looking at our options, one of which is discontinuing the league.”

The NFLPA declined the request for multiple reasons. Chief among them were that using active players in AAF games could violate CBA rules that restrict mandatory workouts during the offseason and the possibility that injuries suffered in the AAF would stunt accrued service time in the NFL, which has financial implications. 

The inaugural AAF campaign was scheduled for a 10-week regular season with a two-week postseason culminating in a championship game on April 27. 

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Europe is spending more on its defence. Can Trump take credit?

Browbeating European NATO countries to spend more on their own defence has become a staple of US President Donald Trump‘s foreign policy. So too has his administration’s “Buy American” drive to boost US arms exports to allies around the world.

The tandem push has thrown the United States’ commitment to NATO into question and tarnished the notion that the alliance’s collective defence clause is unconditional.

Last July, Trump reportedly delivered an ultimatum to NATO allies in a closed-door meeting in Brussels, warning that if they didn’t increase their defence spending by January, the US would “go it alone”.

“The Trump Administration is ruthlessly transactional and disregards the normal diplomatic route for doing things,” Jacob Parakilas, deputy head of the US and the Americas Programme at London think-tank Chatham House told Al Jazeera.

“I wouldn’t be surprised if American diplomats were told to get out and sell weapons,” he added.

But as NATO Secretary-General Jens Stoltenberg prepares to meet President Trump in the White House on Tuesday, and address a joint session of Congress in the run-up to NATO’s 70th-anniversary celebration in Washington later this week, President Trump appears to be getting more of what he wants.

In 2014, only three of the NATO 29 member allies had fulfilled a pledge to spend at least two percent of their gross domestic product (GDP) on defence.

By 2018, seven had met that threshold.

And although Germany‘s continued failure to meet the two percent target could draw further criticism from Trump this week, US arms sales to Europe are rising and projected to climb even further.

‘Buy American’

When it comes to supplying arms to the rest of the world, the US has long held a commanding lead and it’s getting wider.

US share of total global arms exports soared from 30 percent between 2009-2013 to 36 percent between 2014-2018, according to the Stockholm International Peace Research Institute (SIPRI). 

The shopping list for US arms is long – fighter jets, cruise and ballistic missiles, and guided bombs to name a few.

While the Middle East accounted for the majority of US arms exports tracked by SIPRI, tensions elsewhere are also helping to boost sales around the globe.

“The US is harvesting a worldwide increase in tensions,” Aude Fleurant, director of SIPRI’s Arms Transfers and Military Expenditure Program, told Al Jazeera.

Despite talk among NATO’s European allies of reducing reliance on US-made military equipment, US arms sales to Europe are strong. And forecasters see an even bigger spend on the horizon.

Europe accounted for 16 percent of US arms sales in 2017.

“That’s going to increase massively,” said Ben Moores, a senior defence and aviation analyst for Jane’s, IHS Markit which compiled that figure.

Moores told Al Jazeera the US is set to deliver $30.4bn in arms globally by 2022, with Europe accounting for $8.6bn or around 28 percent of those sales.

Strained relations with Russia have helped boost the sale of US weapons to NATO’s European allies.

But Moores cautions the increase is “not as momentous as it first appears”, given the cyclical nature of arms sales and the need for NATO countries to maintain “interoperability” between member nations’ weapons systems. 

Around every three decades, air forces need to replace ageing fighter aircraft – an expensive undertaking.

According to Moores, NATO countries are looking to replace US-made F-16 fighter jets, which are upward of 40 years old, with US-made F-35 fighter aircraft – which cost around $100m each.

Hitting a limit?

But “Buy American” appeared to have hit a limit on Monday. The Pentagon has halted deliveries and activities related to Turkey‘s F-35 jet operational capability until Ankara backs down from its commitment to take delivery of a Russian S-400 missile defence system.

The move marks the first time the US has blocked delivery of the jet to its NATO ally.

Ankara’s decision to buy Russia‘s S-400 anti-aircraft system is putting it at odds with US politicians who say handing Turkey American premier attack aircraft would be a security risk.

S-400 anti-aircraft systems are adaptive. They learn and therefore are dangerous. The US worries if Turkey links the F-35 with Russia’s S-400 anti-aircraft system, the system will read and record US fighter computer weapons systems, and relay that data to Moscow.

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Avengers: Infinity War, The Good Place among 2019 Hugo Award finalists

The finalists for the 2019 Hugo Awards have been announced, and several major Hollywood properties made the list, including Avengers: Infinity War, Black Panther, The Good Place, and A Quiet Place.

The annual awards honor the year’s best in science fiction and fantasy, including everything from literature to cinema to television to graphic novels in the various categories. Named after Amazing Stories editor Hugo Gernsback, the Hugo Awards have existed since 1953 and mark one of the highest honors in the genre. They are overseen by the World Science Fiction Society and voted on by members of the World Science Fiction Convention, a.k.a. Worldcon. The awards will be given out in Dublin in August.

Last year, N.K. Jemesin became the first author to win the award for best novel three years consecutively, and while there are no similar titles up for grabs in this year’s crop of finalists, there are still plenty of buzzy names on the list. The nominees for Best Novel are Mary Robinette Kowal for The Calculating Stars, Becky Chambers for Record of a Spaceborn Few, Yoon Ha Lee for Revenant Gun, Catherynne M. Valente for Space Opera, Naomi Novik for Spinning Silver, and Rebecca Roanhorse for Trail of Lightning.

In the past, the Hugo Awards have been a tense battleground for issues of sexism, homophobia, racism, and more in publishing. As recently as 2015, there were active far-right campaigns against a growing push for diversity and equity among the finalists. So it marks a significant moment that the majority of the finalists for Best Novel identify as women.

This year’s graphic novel nominees once again represent the best in the form. Montress earned its third consecutive nomination; having won the category the past two years, it wouldn’t be a surprise if writer Marjorie Liu and artist Sana Takeda repeated N.K. Jemisin’s recent Hugo hat trick (and check out our piece from last year about why Monstress is worth reading).

Saga and Paper Girls, both written by Brian K. Vaughan, are also repeat nominees this year — and with Saga currently on hiatus, it could be that best-selling sci-fi comic’s last appearance for a while (if you’re all caught up, read our interview with Vaughan and artist Fiona Staples about why they’re taking a break after the last issue’s traumatic twist). Writer Saladin Ahmed was nominated last year for Marvel’s Black Bolt (his comics debut) and again this year for his creator-owned mystical Detroit crime story Abbott.

On the Hollywood side of things, everything from superhero properties to philosophical comedies about what it means to be a good person received a nod. For Long-form Dramatic Presentation, Annihilation, Avengers: Infinity War, Black Panther, A Quiet Place, Sorry to Bother You, and Spider-Man: Into the Spider-Verse were named as finalists. Comic books reigned supreme with two Marvel Studios projects and Sony’s critically adored Into the Spider-Verse on the list, though more offbeat titles like Boots Riley’s satire Sorry to Bother You, John Krasinski’s original horror film A Quiet Place, and Alex Garland’s Annilihation make for a well-balanced list.

On the television side, known as the Short-form Dramatic Presentation category, episodes of The Expanse, Doctor Who, and The Good Place received nominations, alongside a nod for the companion video for Janelle Monae’s album Dirty Computer. Both Doctor Who and The Good Place scored two nominations each, and The Good Place notably earned attention for both its midseason and season finales, including the remarkable “Janet(s)” episode in which D’Arcy Carden played a dizzying number of versions of the title character.

©Marvel Studios 2019; Colleen Hayes/NBC

The Hugo Awards will also feature retrospective awards for work from 1943, which includes films like Heaven Can Wait and Cabin in the Sky in the funning. See the full list of finalists below.

Best Novel

  • The Calculating Stars, by Mary Robinette Kowal (Tor)
  • Record of a Spaceborn Few, by Becky Chambers (Hodder & Stoughton / Harper Voyager)
  • Revenant Gun, by Yoon Ha Lee (Solaris)
  • Space Opera, by Catherynne M. Valente (Saga)
  • Spinning Silver, by Naomi Novik (Del Rey / Macmillan)
  • Trail of Lightning, by Rebecca Roanhorse (Saga)

Best Novella

  • Artificial Condition, by Martha Wells (Tor.com publishing)
  • Beneath the Sugar Sky, by Seanan McGuire (Tor.com publishing)
  • Binti: The Night Masquerade, by Nnedi Okorafor (Tor.com publishing)
  • The Black God’s Drums, by P. Djèlí Clark (Tor.com publishing)
  • Gods, Monsters, and the Lucky Peach, by Kelly Robson (Tor.com publishing)
  • The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press / JABberwocky Literary Agency)

Best Novelette

  • “If at First You Don’t Succeed, Try, Try Again,” by Zen Cho (B&N Sci-Fi and Fantasy Blog, 29 November 2018)
  • “The Last Banquet of Temporal Confections,” by Tina Connolly (Tor.com, 11 July 2018)
  • “Nine Last Days on Planet Earth,” by Daryl Gregory (Tor.com, 19 September 2018)
  • The Only Harmless Great Thing, by Brooke Bolander (Tor.com publishing)
  • “The Thing About Ghost Stories,” by Naomi Kritzer (Uncanny Magazine 25, November-December 2018)
  • “When We Were Starless,” by Simone Heller (Clarkesworld 145, October 2018)

Best Short Story

  • “The Court Magician,” by Sarah Pinsker (Lightspeed, January 2018)
  • “The Rose MacGregor Drinking and Admiration Society,” by T. Kingfisher (Uncanny Magazine 25, November-December 2018)
  • “The Secret Lives of the Nine Negro Teeth of George Washington,” by P. Djèlí Clark (Fireside Magazine, February 2018)
  • “STET,” by Sarah Gailey (Fireside Magazine, October 2018)
  • “The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat,” by Brooke Bolander (Uncanny Magazine 23, July-August 2018)
  • “A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix E. Harrow (Apex Magazine, February 2018)

Best Series

  • The Centenal Cycle, by Malka Older (Tor.com publishing)
  • The Laundry Files, by Charles Stross (most recently Tor.com publishing/Orbit)
  • Machineries of Empire, by Yoon Ha Lee (Solaris)
  • The October Daye Series, by Seanan McGuire (most recently DAW)
  • The Universe of Xuya, by Aliette de Bodard (most recently Subterranean Press)
  • Wayfarers, by Becky Chambers (Hodder & Stoughton / Harper Voyager)

Best Related Work

  • Archive of Our Own, a project of the Organization for Transformative Works
  • Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, by Alec Nevala-Lee (Dey Street Books)
  • The Hobbit Duology (documentary in three parts), written and edited by Lindsay Ellis and Angelina Meehan (YouTube)
  • An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000, by Jo Walton (Tor)
  • http://www.mexicanxinitiative.com: The Mexicanx Initiative Experience at Worldcon 76(Julia Rios, Libia Brenda, Pablo Defendini, John Picacio)
  • Ursula K. Le Guin: Conversations on Writing, by Ursula K. Le Guin with David Naimon (Tin House Books)

Best Graphic Story

  • Abbott, written by Saladin Ahmed, art by Sami Kivelä, colours by Jason Wordie, letters by Jim Campbell (BOOM! Studios)
  • Black Panther: Long Live the King, written by Nnedi Okorafor and Aaron Covington, art by André Lima Araújo, Mario Del Pennino and Tana Ford (Marvel)
  • Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics)
  • On a Sunbeam, by Tillie Walden (First Second)
  • Paper Girls, Volume 4, written by Brian K. Vaughan, art by Cliff Chiang, colours by Matt Wilson, letters by Jared K. Fletcher (Image Comics)
  • Saga, Volume 9, written by Brian K. Vaughan, art by Fiona Staples (Image Comics)

Best Dramatic Presentation, Long Form

  • Annihilation, directed and written for the screen by Alex Garland, based on the novel by Jeff VanderMeer (Paramount Pictures / Skydance)
  • Avengers: Infinity War, screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo and Joe Russo (Marvel Studios)
  • Black Panther, written by Ryan Coogler and Joe Robert Cole, directed by Ryan Coogler (Marvel Studios)
  • A Quiet Place, screenplay by Scott Beck, John Krasinski and Bryan Woods, directed by John Krasinski (Platinum Dunes / Sunday Night)
  • Sorry to Bother You, written and directed by Boots Riley (Annapurna Pictures)
  • Spider-Man: Into the Spider-Verse, screenplay by Phil Lord and Rodney Rothman, directed by Bob Persichetti, Peter Ramsey and Rodney Rothman (Sony)

Best Dramatic Presentation, Short Form

  • The Expanse: “Abaddon’s Gate,” written by Daniel Abraham, Ty Franck and Naren Shankar, directed by Simon Cellan Jones (Penguin in a Parka / Alcon Entertainment)
  • Doctor Who: “Demons of the Punjab,” written by Vinay Patel, directed by Jamie Childs (BBC)
  • Dirty Computer, written by Janelle Monáe, directed by Andrew Donoho and Chuck Lightning (Wondaland Arts Society / Bad Boy Records / Atlantic Records)
  • The Good Place: “Janet(s),” written by Josh Siegal & Dylan Morgan, directed by Morgan Sackett (NBC)
  • The Good Place: “Jeremy Bearimy,” written by Megan Amram, directed by Trent O’Donnell (NBC)
  • Doctor Who: “Rosa,” written by Malorie Blackman and Chris Chibnall, directed by Mark Tonderai (BBC)

Best Editor, Short Form

  • Neil Clarke
  • Gardner Dozois
  • Lee Harris
  • Julia Rios
  • Lynne M. Thomas and Michael Damian Thomas
  • E. Catherine Tobler

Best Editor, Long Form

  • Sheila E. Gilbert
  • Anne Lesley Groell
  • Beth Meacham
  • Diana Pho
  • Gillian Redfearn
  • Navah Wolfe

Best Professional Artist

  • Galen Dara
  • Jaime Jones
  • Victo Ngai
  • John Picacio
  • Yuko Shimizu
  • Charles Vess

Best Semiprozine

  • Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
  • Fireside Magazine, edited by Julia Rios, managing editor Elsa Sjunneson-Henry, social coordinator Meg Frank, special features editor Tanya DePass, founding editor Brian White, publisher and art director Pablo Defendini
  • FIYAH Magazine of Black Speculative Fiction, executive editors Troy L. Wiggins and DaVaun Sanders, editors L.D. Lewis, Brandon O’Brien, Kaleb Russell, Danny Lore, and Brent Lambert
  • Shimmer, publisher Beth Wodzinski, senior editor E. Catherine Tobler
  • Strange Horizons, edited by Jane Crowley, Kate Dollarhyde, Vanessa Rose Phin, Vajra Chandrasekera, Romie Stott, Maureen Kincaid Speller, and the Strange Horizons Staff
  • Uncanny Magazine, publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Science Fiction Special Issue editors-in-chief Elsa Sjunneson-Henry and Dominik Parisien

Best Fanzine

  • Galactic Journey, founder Gideon Marcus, editor Janice Marcus
  • Journey Planet, edited by Team Journey Planet
  • Lady Business, editors Ira, Jodie, KJ, Renay & Susan
  • nerds of a feather, flock together, editors Joe Sherry, Vance Kotrla and The G
  • Quick Sip Reviews, editor Charles Payseur
  • Rocket Stack Rank, editors Greg Hullender and Eric Wong

Best Fancast

  • Be the Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace
  • The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
  • Fangirl Happy Hour, hosted by Ana Grilo and Renay Williams
  • Galactic Suburbia, hosted by Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts, produced by Andrew Finch
  • Our Opinions Are Correct, hosted by Annalee Newitz and Charlie Jane Anders
  • The Skiffy and Fanty Show, produced by Jen Zink and Shaun Duke, hosted by the Skiffy and Fanty Crew

Best Fan Writer

  • Foz Meadows
  • James Davis Nicoll
  • Charles Payseur
  • Elsa Sjunneson-Henry
  • Alasdair Stuart
  • Bogi Takács

Best Fan Artist

  • Sara Felix
  • Grace P. Fong
  • Meg Frank
  • Ariela Housman
  • Likhain (Mia Sereno)
  • Spring Schoenhuth

Best Art Book
Under the WSFS Constitution every Worldcon has the right to add one category to the Hugo Awards for that year only. Dublin 2019 has chosen to use this right to create an award for an art book.

  • The Books of Earthsea: The Complete Illustrated Edition, illustrated by Charles Vess, written by Ursula K. Le Guin (Saga Press /Gollancz)
  • Daydreamer’s Journey: The Art of Julie Dillon, by Julie Dillon (self-published)
  • Dungeons & Dragons Art & Arcana: A Visual History, by Michael Witwer, Kyle Newman, Jon Peterson, Sam Witwer (Ten Speed Press)
  • Spectrum 25: The Best in Contemporary Fantastic Art, ed. John Fleskes (Flesk Publications)
  • Spider-Man: Into the Spider-Verse – The Art of the Movie, by Ramin Zahed (Titan Books)
  • Tolkien: Maker of Middle-earth, ed. Catherine McIlwaine (Bodleian Library)

There are two other Awards administered by Worldcon 76 that are not Hugo Awards:

Lodestar Award for Best Young Adult Book

  • The Belles, by Dhonielle Clayton (Freeform / Gollancz)
  • Children of Blood and Bone, by Tomi Adeyemi (Henry Holt / Macmillan Children’s Books)
  • The Cruel Prince, by Holly Black (Little, Brown / Hot Key Books)
  • Dread Nation, by Justina Ireland (Balzer + Bray)
  • The Invasion, by Peadar O’Guilin (David Fickling Books / Scholastic)
  • Tess of the Road, by Rachel Hartman (Random House / Penguin Teen)

John W. Campbell Award for Best New Writer

  • Katherine Arden*
  • S.A. Chakraborty*
  • R.F. Kuang
  • Jeannette Ng*
  • Vina Jie-Min Prasad*
  • Rivers Solomon*

*Finalist in their second year of eligibility.

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Catherine Bell will reprise her JAG role on NCIS: Los Angeles

Why should David James Elliott have all the fun?

Four days after it was announced that Elliott will reprise his JAG role as Navy Capt. Harmon Rabb Jr. for a multi-episode arc on NCIS: Los Angeles, EW has learned that Catherine Bell will also play Lt. Col. Sarah “Mac” MacKenzie once again for the CBS procedural.

Bell will appear in the season finale of NCIS: LA on May 19. Elliott will first appear in the May 12 episode, “The Guardian.”

“Catherine’s Mac was a strong, smart woman who held her own, and then some, in a male-dominated world. Her character paved the way for other strong female leads,” executive producer R. Scott Gemmill said in a statement. “Not only is it great to be working together again as friends, but to be able to write for Catherine and have her same character interact with our NCIS: Los Angeles characters now, that’s wonderfully surreal. It feels like everything has come full circle.”

Here’s the official logline for Bell’s episode: “As the NCIS team tries to uncover a complicated network of ISIS sympathizers who look to be planning an attack on US aircraft carriers and possible worse, Hetty (Linda Hunt) has to call in a favor to an old friend, Lieutenant Colonel Sarah “Mac” MacKenzie, to help get access to an elusive Russian diplomat.”

Bell played Mac from 1996 to 2005 on JAG, which followed uniformed lawyers in the Department of the Navy’s Office of the Judge Advocate General. After JAG, Bell went on to play Denise Sherwood on Army Wives from 2007 to 2013.

NCIS: Los Angeles airs Sundays at 9 p.m. ET.

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Stephen Curry, Kevin Durant, Draymond Green Fined for Criticizing NBA Referees

Golden State Warriors' Stephen Curry in the first half of an NBA basketball game against the Minnesota Timberwolves, Friday March 29, 2019, in Minneapolis. The Timberwolves won 131-130 in overtime. (AP Photo/Stacy Bengs)

Stacy Bengs/Associated Press

The NBA fined Draymond Green $35,000, Stephen Curry $25,000 and Kevin Durant $15,000 on Tuesday for their criticism of officials following Friday’s loss to the Minnesota Timberwolves.

Referees Marat Kogut and Leon Wood drew the ire of the Warriors bench for two calls that ultimately helped give the Timberwolves a 131-130 overtime victory. The first came with 4.4 seconds left in overtime, when Kogut said Keita Bates-Diop fouled Kevin Durant before he took a game-tying three. At first, Durant appeared to set up a four-point play that could have won the game for Golden State.

“If you look at the play … [Bates-Diop] lost me for a quick second,” Durant told reporters. “And when I caught the ball, I knew they were going to foul. And I got it up quick, and he had two hands on me as I was going into my shot. … [Kogut] was the best player on the floor. He’s so good with his whistle, he knew they were going to foul me before I shot the ball. So he’s one of the greatest refs of all time.”

Stephen Curry knocked down a three on the Warriors’ ensuing possession to tie the game at 130, but another whistle then handed the game to Minnesota. Wood called Durant for a touch foul on Karl-Anthony Towns as the Wolves attempted to inbound the ball, sending him to the line for game-winning free throws.

“It’s just tough when your effort like that gets sabotaged for sure,” Curry said. “I’ve been back there looking at those calls over and over and over again and still don’t understand either one of them. KD four-point play which puts pressure on them with four seconds left to have to get a bucket.

“And at the end of the game, nobody wants to see a game end like that. A crazy pass that had no chance of being caught and a soft foul that should never have been called to decide the game like that. Guys out there fighting their ass off to play and compete and win the game by playing basketball, so it’s a tough way to go out.”

Curry called Kogut the “MVP of tonight” when asked which of the calls he found more egregious. 

Green’s criticism was more subtle, but the league slapped him with the biggest fine. The Warriors forward tweeted out the initials of Kogut and former ref Tim Donaghy, not-so-subtly implying the game was fixed:

“All you need is one time,” Durant said of the foul call. “All you need to see it is once. I mean, late in the game, can you be physical that late in the game? I didn’t extend my arms on the push; I didn’t grab; I didn’t impede anybody’s movement. Plus the ball was already out of bounds. I mean, would you call that one late? Nah. My little brother probably wouldn’t have called that one; they need to just let us play. They should’ve let us play. We should still be playing right now.”

The loss put the Warriors back into a tie with the Denver Nuggets for first place in the Western Conference. Golden State holds the tiebreaker, but with a matchup against Denver coming Tuesday, those calls could wind up playing a huge factor in which team gets home-court advantage in a potential Western Conference Finals showdown.

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Bad Moms’ Moms in the works with Christine Baranski, Susan Sarandon, and Cheryl Hines

Christine Baranski, Susan Sarandon, and Cheryl Hines are coming back for some more bad behavior.

STX announced Tuesday at CinemaCon that another follow-up to Bad Moms is in the works, appropriately titled Bad Moms’ Moms. The new film will find Baranski, Sarandon, and Hines reprising their roles from 2017’s A Bad Moms Christmas, where they played the mothers to Mila Kunis, Kathryn Hahn, and Kristen Bell.

The original Bad Moms was a hit for STX when it debuted back in 2016, earning $184 million worldwide on a $20 million budget. At one point, there was talk of a spin-off to be titled Bad Dads, but the sequel shifted to focus instead on the original trio’s poorly-behaving mothers.

In addition to announcing Bad Moms’ Moms, STX used its presentation to tease footage from upcoming films like the animated UglyDolls, the Guy Richie crime caper The Gentlemen, the Chadwick Boseman crime drama 21 Bridges, and the Katie Holmes-starring horror sequel Brahams: The Boy II. Also in the works are Jennifer Lopez’s strip club revenge movie Hustlers, an adaptation of The Secret Garden, and Dave Bautista’s kid-friendly comedy My Spy.

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Henry Golding, Charlie Hunnam unveil ‘vintage Guy Ritchie’ caper The Gentlemen

Rocking up in well-tailored suits, Henry Golding and Charlie Hunnam looked the perfect part of Guy Ritchie‘s upcoming The Gentlemen on Tuesday, showing off a trailer that promises “vintage Guy Ritchie” in a British crime caper set in the drug world.

Set in England, The Gentlemen dives back into the criminal underworlds that Ritchie has carved a career in exploring, this time crafting a story that takes on the collision of old European money with the modern marijuana business as a British drug lord attempts to sell his business to American cannabis billionaires. In the first tease, Hugh Grant swaps his usually posh self for a monied cockney criminal who urges Hunnam to “play a f—ing game with me” and tells him a story. Matthew McConaughey plays a weed-dealing kingpin, and Golding plays a criminal attempting to make a deal with him.

“The plot begins to thicken,” Grant’s character says. “I can’t be specific about the heroes and zeroes but our protagonist is a hungry animal. There is a lot of money hanging in the balance. Our antagonist goes by the laws of the jungle, explodes onto the scene like a millennial f—ing firework, and has indirectly started a war.”

The film, formerly known as Toff Guys, sees Ritchie return to his Lock, Stock and Two Smoking Barrels and Snatch roots after directing the more PG-rated musical Disney live-action Aladdin (out May 24). The Gentlemen displays all the Ritchian trademarks — cockney criminals, peak hats and well-tailored plaid suits, shoot-outs in moving vans, car chases, gory deaths, the sole beautiful female in a male-dominated world (Michelle Dockery) and very liberal usage of explicit language. Colin Farrell, Eddie Marsan, and Jeremy Strong also star. STX did not reveal the release date of the film but it is expected either later this year or early 2020.

Debuting the first look at the film at CinemaCon in Las Vegas, Hunnam said he had originally discussed the seeds of this film with Ritchie over a three-and-a-half hour chat back when he was auditioning for 2017’s King Arthur: Legend of the Sword. “We discussed at great lengths the merits of the California marijuana business, which I know small amounts about,” Hunnam quipped. “So then I read this script and then I realized what the nature of that conversation was all about. He’d obviously been cooking this up for a couple of years.”

Golding, who filmed this simultaneously with holiday rom-com Last Christmas, said his first day on set was “this huge scene with Matthew [McConaughey] … and that was the heaviest day possible for a first day.”

Both Hunnam and Golding talked about Ritchie’s process of filming a movie and how the set and script was constantly evolving, often scrapping written scenes to craft an entirely new one with input from the actors. “There’s some sort of weird alchemy to his filmmaking where he’s deeply collaborative and allows everybody to imbue the project with their own philosophy and world views, and yet it goes through the Guy Ritchie filter and unquestionably the result is Guy Ritchie sensibility,” Hunnam said.

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Killing Eve star Sandra Oh on the question Grey’s Anatomy fans ask her the most

Grey’s Anatomy fans were heartsick when Sandra Oh’s Cristina Yang exited Grey Sloan Memorial Hospital for the last time in the season 10 finale. Oh — who received several Emmy nominations for her work on the ABC medical drama — has firmly re-established herself in episodic television, of course, by starring in BBC America’s acclaimed spy thriller Killing Eve as industrious MI6 intelligence officer Eve Polastri. For her work in season 1 alone, she scored an Emmy nomination as well as trophies at the Golden Globes and Screen Actors Guild Awards. While Oh has moved on quite successfully, what is the No. 1 question she still hears from Grey’s fans, more than four years after her last appearance on the show?

It’s actually four simple words: “When are you coming back?”

And now for a bit of bad news for those yearning for a return: “I’m not coming back,” Oh tells EW during an interview with Jodie Comer, who plays the intriguing assassin whom Eve is tracking. “So much love and gratitude for that time, but…” —  and here she leans into Comer — “I have a new love in my life now. And I want to hang out with her.”

“I’m actually the only person on the planet to have not seen Grey’s Anatomy,” confesses Comer. “And in a way, I’m kind of glad that I hadn’t before I met you.” Why was that the case? Check out the video above to learn more.

Comer and Oh discussed Eve and Villanelle’s entrancing relationship and concocted the perfect ending to this twisted tale in EW’s cover story, which you can read about here.

Killing Eve returns for season 2 on April 7 — AMC will simulcast the episodes, too — and you can glean intel on the action to come in these first-look photos.

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Your pop culture horoscope for April: Fosse/Verdon, Lizzo, and the Avengers

Feeling energized, stargazers? That’s Aries season talking. Let your adventurous side take over this month, in the true spirit of the ram, and kick off the astrological new year with some brand-new entertainment to get excited about. Read on for your pop culture horoscopes for April!

Miss last month? Check out your March horoscopes here — and be sure to subscribe to our Snapchat Discover channel for your lyrical horoscope! 

ARIES (March 21 to April 19)

Let’s not even mess around, Aries. It’s your birthday season. It’s the biggest superhero movie event of the year, and possibly of the last 10 years. It’s Avengers: Endgame (Apr. 26) for you this month, or it’s absolutely nothing at all. You’re the sign of new beginnings, but that means you’re inevitably a sign of endings, too. So if one phase must draw to a close before a glorious new one begins, it might as well go out with a bang (or a very, very loud snap), right?

TAURUS (April 20 to May 20)

If you’re shiny, everybody’s gonna shine, beautiful bull. This month, it’s time to celebrate one of your own and luxuriate in the sparkling new music from Lizzo, who provided an anthem for unapologetically gorgeous Taureans everywhere with “Juice,” the lead single off Cuz I Love You (Apr. 19). Mirror, mirror on the wall, who’s the fairest sign of them all? Ha! What a stupid question!

GEMINI (May 20 to June 20)

Honestly, Gemini, what even is authenticity? (Honestly, what even is honesty?) Who’s to say that one person can’t be two people, or — more to the point — that two people can’t be three? What’s wrong with cultivating a creative persona and just not telling people it’s not real? But also, why can’t it be real? Can’t a true-life made-up celebrity character be more than just a gimmick? Is it a gimmick to write an entire paragraph entirely out of questions? Does it matter? Are you going to see J.T. LeRoy (Apr. 26) this month? Has there ever been more perfect casting than Kristen Stewart in the title role? Are we finished here?

CANCER (June 21 to July 22)

As one of the most empathetic signs in the zodiac, you’re always looking to engage with another perspective, sweet crab. Regardless of your own background, you’ll connect with Ramy (Hulu, Apr. 19), a comedy about a Muslim-American millennial navigating faith, dating, friendship, family, and cultural identity in modern America. You’ll appreciate what it’s doing for representation, of course, but keep coming back for the great humor and feeling on display.

LEO (July 23 to Aug. 22)

Settle in for the story of the most legendary Cancer–Capricorn coupling (sorry, Kristen Bell and Dax Shepard) in entertainment history — Bob Fosse and Gwen Verdon channeled the ideal energy of astrological opposition into one of the greatest showbiz collaborations of all time. You’ll feel the heat of the Broadway spotlight (never a spotlight you can’t sniff out, right, Leo?) when you tune in to Fosse/Verdon (FX, Apr. 9) for the music, dancing, love, jealousy, sex, betrayal, and all that jazz.

VIRGO (Aug. 23 to Sept. 22)

You can appreciate a good riddle, clever Virgo, and you’ll find one (and then some) in Trust Exercise (Apr. 9). Pulitzer Prize finalist Susan Choi’s new novel follows a pair of performing-arts high school students in love, but what starts out as a teenage romance twists into something entirely unexpected. The book will stretch your analytical mind until you’ve pieced together the true story — not to mention your own understanding of how it worked.

LIBRA (Sept. 23 to Oct. 22)

Age is just a number, right Libra? You could be decades past your high school years, but we know you’ve still got that Teen Spirit (Apr. 5) deep down. Max Minghella makes his directorial debut with this modern fairy tale of a music movie, in which Elle Fanning stars as a small-town nobody who ends up on a path to pop stardom when she enters a singing competition. What better way to start the springtime than with a little Cinderella sparkle?

SCORPIO (Oct. 23 to Nov. 21)

Of all the showbiz entertainments hitting this month, you’ll spend April enjoying the most forceful one by far, naturally. Vibrant Leo Elisabeth Moss is the frontwoman of a fictional ‘90s girl punk band in Alex Ross Perry’s Her Smell (Apr. 12), an intense music drama that doesn’t shy away from the dark side of the spotlight. Get ready for a wild ride, Scorpio — and don’t hold your nose.

SAGITTARIUS (Nov. 22 to Dec. 21)

Khalid — a brilliant Aquarius — has grown up from an American Teen to a Free Spirit (Apr. 5) just like you, Sagittarius. And while his sophomore album’s lead single “Talk” maybe suggests more of an interest in defining the relationship, specifically, than you’ve ever personally demonstrated, you’re always on board with the general sentiment “can we just talk?”

CAPRICORN (Dec. 22 to Jan. 19)

The contemporaries of 19th-century English industrialist Anne Lister might have been scandalized by her lesbian lifestyle, but in these more enlightened times, the only thing that truly shocks is that Lister was not, in fact, a Capricorn. A savvy industrialist and powerful landowner (and, to be fair, trailblazing Aries), Lister kept detailed diaries in a secret code of her own devising which have provided the basis for Gentleman Jack (HBO, Apr. 22). Check it out yourself and try not to give into astro-envy knowing that this tough businesswoman, who lived her life exactly how she wanted and even wrote it all down in a way that nobody else could understand, was, in fact, a fire sign.

AQUARIUS (Jan. 20 to Feb. 18)

Libra though the artist may be, the erudite weirdo-pop of Marina has always been perfectly suited to offbeat water bearers. Float above the world with your fellow air sign this month when the pop star releases Love + Fear (Apr. 26), a characteristically high-concept album in two parts (“Love” and “Fear,” naturally), and spend April in a heaven handmade by the Welsh songstress.

PISCES (Feb. 19 to March 20)

This is a no-brainer, Pisces. When something like Normal People (Apr. 16) hits across the pond like a literary bomb of wit and wisdom and insight, you’re already compelled to read it once it arrives in the States. And combine that with the knowledge that its Millennial wonder novelist — 28-year-old Irish writer Sally Rooney, for whom this marks her second novel — is also a Pisces? Have you preordered it yet, or what?

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